爱Fele – Mtime时光网

volver

ivan — Sat, 21 Jun 2008 06:15:18 GMT

Fele的舞台作品SoloMillo在西班牙的演出获得成功，反响非常棒，Fele的表演充满活力，虽然一个人的独角戏，却一点也没有单调感，Fele用富有表现力的动作，夸张的表情和饱满的声音全面占领了舞台，观众掌声笑声不断。

同时Fele在这段时间也有很多不错的电影问世，舞台和银幕作品在西班牙本土都受到很多关注，其本人的影响力也不断提升，有更多的人开始喜爱他，人们使用"gran(伟大的)""mejor(最好的)"等词来形容他，Fele进入了又一个事业高峰，在西班牙和许多别的国家和地区，人们已经将他视为一位伟大的表演艺术家。

预祝Fele取得更多成功！Best wishes to Fele.

P.S. really feel sorry for long time no update! 好久没更新，真对不住大家和Fele。现在回来了，过几天将出炉一些Fele新图，请大家随时关注:)

想看Fele的所有电影，请问哪里可以找全呢？

deep — Wed, 19 Sep 2007 15:24:43 GMT

各位群友，想看Fele的所有电影，请问哪里可以找全呢？

Fele 足迹

ivan — Sat, 09 Jun 2007 07:39:42 GMT

Fele足迹

Fele的银幕处女作和获奖作品Tesis(1996)<死亡论文> 。

拍摄该片是Fele只有20岁. 于马德里皇家戏剧学院毕业后, Fele一直专注于舞台剧演出, 该片是Fele第一次站在摄影机前表演, 他自己曾说舞台和电影的表演对他来说是完全不同的, 因为在舞台上, 你可以直接看到、感觉到观众的存在, 可以从他们的表情中知道自己在做什么, 做的怎么样, 这些他习惯者的东西在电影拍摄中是没有的. 初登银幕, 表现不俗, Fele凭借该片获得1997年Goya最佳演员奖.

Fele 1997年作品Abre los ojos<睁开你的双眼>。

Fele扮演男主角RP非常好的好朋友，所谓为朋友不惜两肋插刀，女友算什么，说给就给了，哈哈~~这样的一个角色注定是个绝对的配角，因此看来看去也没发现Fele有什么特别让人激动的地方，就是这笑容还是一贯的那么可爱。后来有一次机会，看到了那部怨念深重的好莱坞翻拍版，Fele演的那个密友一角的演技对比反差很强，于是，从此以后Fele再演什么小角色我都是目不转睛的盯着看。

Fele作品Los Amantes del Círculo Polar(1998)<北极圈恋人>。

这时Fele大约是22岁. 这是本人很喜欢的一张照片, 这种带着神经质的表情是Fele独到的魅力. 那个时候的Fele正是精致又俊俏的时候，身材修长的，皮肤滑滑的，脸上一点坑坑毛毛都没有，带着点青涩，带着点害羞，很适合作个浪漫到死的爱情片男主角。<北极圈恋人>是Fele早期的一部代表作。

Fele 1998年作品Lágrimas negra / Black Tears <黑色的眼泪>。

没弄错的话就是这部，Fele的银幕处女激情戏。记得有次采访他提到说，拍戏之前，他先向漂亮的女主角道歉，说如果自己不能控制自己身体的某些部分，发生了什么事情的话，很抱歉，女主角只好安慰Fele说不用紧张，我们都是人类。后来每次看到Fele在摄影机前露的那么从容，原来他也有如此粉嫩的时候，可爱内^^

Fele 2000年作品 Capitães de Abril <四月的上尉>。

这一部，有个帅帅的葡萄牙上尉抢风头，从头到尾，不过也没办法，本来就该人家的戏嘛。Fele戏份不多，中规中矩的军人扮相并不抢镜，话说回来，这也就对了，好演员该干什么就得是干什么的，像这种讲述大事件的颇为严肃的历史电影，既然片名都叫做XX上尉了，作为上尉的一个小跟班，让人看着舒服，自然，流畅，甚至注意不到，但又不能忽略的存在，就是最恰当的表演，Fele就是这么厉害。

一定要提一下，一口连葡萄牙人都惊叹的流畅，纯正的葡萄牙语！(原来Fele是语言天才，等下我就说他的英语和法语电影....)

Fele 2001年作品 Tuno negro <黑色小夜曲>(该译名根据片名的英文译名而来，原片名的意思是影片中所提到的一个古老诅咒的名字。)

这时Fele摇身一变成警察，还是讲发生在学校里面的恐怖事件，当他从以前的当事学生变成警察的时候，就是证明Fele已经不是青涩小毛孩子了，的确，25岁了。这部里他和漂亮女主角有很多精彩的对戏，对话呀都不算什么，有对跆拳道，他没打过女主角，对床戏，又激情又阴谋的，最后高潮戏对打差点被女主角给做掉，由于女主角可能是真的喜欢他，所以最后可以鼻青脸肿的活下来，留下一个招牌式的歪嘴微笑，观片的我又被近距离电到。至于他到底喜欢不喜欢这个题材不得而知，不过记得有次他自己说起来也挺无奈的，但是不喜欢也没道理拍这么多的，哈哈。

Fele 2001年作品 Noche de reyes <第十二夜>。

帅帅的Duke现身了！就为这一个镜头半天没上来气。闹闹的皆大欢喜的喜剧片正对Fele的胃口，更何况是莎翁名剧同名改变，钟爱舞台的Fele肯定开心死了，就算是演那个被女主角耍弄的王子也无所谓了，哎，大钻戒，大家族，可惜喜欢的姑娘还是跟着穷小子跑了。Fele顶这扮相是相当的气质不凡，到最后手里握着心爱的女孩弃回来的戒指，站在雪中看着女孩与什么都不如自己的小人物快活的离开，一脸无辜的，又沮丧又尴尬又气愤又矜持，这回爱死Fele了。

Fele作品Darkness(2002)<黑暗>, 这时的Fele大约是26岁. 该片是目前所知的Fele唯一一部全片英语对白的作品, 尽管导演仍是西班牙人, 但是该片带有好莱坞元素的修饰, 据本人所知Fele此后没有再涉足好莱坞和英语电影. 钟情于他在该片中有点笨拙却十分可爱的奇怪英语发音.

值得一提的小插曲, 这也是一部恐怖片. Fele的作品中恐怖片或带有恐怖元素的电影占了比较大的比重, 而Fele本人其实是更加钟爱喜剧片的, 在完成<不良教育>后尤其的想。

Fele 2002年作品 Hable con ella / Talk to Her <对她说>。

与阿尔莫多瓦的第一次合作。从气质到表演都像极了默片时代的表演大师，恰当的肢体动作，夸张的表情诠释，要知道在这部蜚声全球的顶尖电影中，Fele没有说一句话，却同那些同样才华横溢的演员们一道将阿尔莫多瓦的唯美准确清晰的传递给了全世界。

Fele 2003年作品 Dos tipos duros 。

这部电影我看的浑浑噩噩，没有任何字幕，我能听得懂的词就那么几个。不过还好，动作镜头居多，至于人际啊利益啊的关系，我只能靠半猜半推测的了。Fele扮演坏人的打手，所以就是上面照片中那种扮相，我就想笑，话说Fele演坏蛋就像坏蛋的。最后呢，Fele也被干掉了，好人取得了胜利，正义最终战胜了邪恶。哎，Fele演坏人我就站在坏人一边了，看到最后还不甘心着....

Fele 2003年作品 Utopía <乌托邦>。

刚一听到Fele一口流利的法语，还以为是配音的，仔细听是他的声音没错，至于说的标准不，我是听不出来了。这部电影是超级的精致超级的漂亮，整个画面质感很强，镜头也给的安安静静美丽，色彩是相当的舒服，演员说话的声音也都是安静的，一个比一个好听。Fele光头造型，下巴上一点精心打理的小胡子，整个扮相很干净，就看见两个妩媚的大眼睛转啊转的，唯美呐....

Fele作品La Mala Educacíon(2004)<不良教育>。

这时的Fele大约是29岁. 这是本人最喜欢的电影, 这时本人最钟爱的Alomodovar遭遇本人最钟爱的Fele演绎本人最钟爱的题材, 可以说该片从情节到内容到画面到摄影到表演到配乐本人没有一样不迷恋的. 按照导演阿尔莫多瓦的要求, Fele于该片拍摄前做个很多准备工作和调整, 在该片中, Fele可以说完成了一次大程度的转型, 更多的浓化了Fele式的神经质气质, 这种魅力发挥的更加性感, 更增添了一种中性的美感. 选择的这张照片具有一定代表性, 同样是本人最钟爱的表情之一, 我就是从这里发现Fele独特美感的。

Fele！生日快乐！

ivan — Wed, 21 Feb 2007 16:07:44 GMT

今天是Fele的生日~

Feliz cumpleaños, Fele!

生日快乐！~~

1975.02.22 - 2007.02.22

Fele & the Bad Education

ivan — Sun, 18 Feb 2007 19:59:58 GMT

Fele & the Bad Education

Almodovar's Other Bad Boy
He won a Goya award for Best New Actor and has since starred in two dozen films. Meet Fele Martinez, the other half of Bad Education, new this week on DVD.
Tuesday, April 12, 2005
By Pam Grady

Even though he was a star of Bad Education, one of the highest profile movies at last year's Toronto International Film Festival, Fele Martinez could mingle in the bar at that city's Hotel Intercontinental and rate nary a second glance.

The 30-year-old actor is a bundle of nervous energy and he looks years younger with his hair cropped short and large, liquid puppy-dog eyes. With his co-star Gael Garcia Bernal -- who enjoys three showy roles in the film, including that of a cross-dressing femme fatale – continuing to get the bulk of journalists' attention, the slender Martinez is definitely the thinner half of the Bad Education equation. But Pedro Almodovar’s latest masterpiece, which is new today on DVD, belongs to him as much as his flamboyant co-star.

Indeed, it is Martinez as film director Enrique who pulls us along into the heart of Bad Education's mystery.

Always a critical favorite, Almodovar has enjoyed some of the best notices of his storied career for Bad Education, a noir romp that jumps back through time as Enrique seeks to unlock a puzzle that leads back to his Catholic childhood. The movie received seven European Film nominations and an Independent Spirit Award nod for Best Foreign Film.

Though Spain declined to name the film as its Oscar representative in the Best Foreign Language Film category (an honor given to the eventual ’04 winner, Alejandro Amenabar's The Sea Inside), it is as worthy of plaudits as Talk to Her, which garnered Almodovar a Best Original Screenplay award and Best Director nomination a couple of years back.

Talk to Her was also the film that launched Martinez’s association with his country’s most celebrated cinematic auteur, in the form of the small part of Alfredo. The actor, who insists that his aim is to work with only the best of directors, has been a bit spoiled perhaps by his early association with Amenabar, with whom he made two of his first three movies, Thesis and Open Your Eyes. It was for his role in the former as a student obsessed with gore that Martinez won a Goya Award for Best New Actor.

Martinez has made two dozen films in less than a decade, having even found time recently to also appear in the critically lambasted ghost story Darkness. And even though it is the clarion call of a screenplay to be directed by Almodovar or Amenabar that still most excites him as an actor, he almost said no this time around to Pedro.

"I was on the verge of saying, 'This is impossible for me, I can't do it,'" recalls Martinez, during an interview with FilmStew last fall. “When I finished reading the script, I was so surprised. I thought, 'Oh my God, this is a lot of work.' This is a movie that forces you to think.’"

“The relationships are so extremely, extremely hot and feelings are on the edge,” he continues. “My relationship with Angel [Bernal] is so hard, because they are both always hiding things from the other and both try to discover what the other is hiding, Angel's ambition and the nervous curiosity of Enrique."

Taking the part, Martinez realized, meant putting his own acting philosophy to the test. He laughs as he explains, "I don't like to make art that would be easy for me. I want to learn as much as possible and I like it when the character has a lot of difficulties. I like the challenge of overcoming those obstacles."

Much has been made of the challenges that co-star Bernal faced in signing on to Bad Education. The Mexican actor had to learn to speak with a Spanish accent; both gain and lose weight, according to the demands of his three roles; and become adept at playing a believable transsexual. While Martinez wasn't under that kind of linguistic or physical pressure, the less showy role of Enrique still presented its own unique requirements.

For one thing, while Almodovar has said that the movie is not autobiographical, it is a story close to his heart, a screenplay that he worked on for over a decade, and Martinez is playing a young, gay director in 1980, precisely the moment when his director was releasing his first feature, Pepi, Luci, Bom and Other Girls from the Heap.

Martinez and the director talked through the issue. The actor says he was adamant on the subject, "I didn't want to act 'Pedro Almodovar.'”

The director agreed, so the two set about creating a unique character, one where the only traces of Almodovar that remained were the superficial similarities. "We never tried to play Enrique from Pedro's perspective," Martinez says proudly.

With that issue resolved, Martinez threw himself into researching the role. Back in 1980, after all, he was just a toddler. The milieu in which Bad Education is set is smack in the middle of the ‘Movida,’ the cultural earthquake that shook Spain in the wake of dictator Generalissimo Francisco Franco's 1975 death. The country embraced its newfound freedom in all senses of the word, politically, sexually, and artistically.

Martinez felt that in order to play Enrique, he had to understand him and the place and time from, which he sprung. That meant giving himself a crash course in the 1980s and the Movida. He describes the run-up to shooting the film as intense, but he still took the time outside of rehearsals to immerse himself in the movies, documentaries, books, and magazines of Enrique's time.

"The character is much more complete, because of all that background," Martinez observes. "I felt that I had to do it. Pedro demands it of you; you have to offer him a lot. But it was great. The other possibility was to read the script and then talk with Pedro. That's fine, but it wouldn't be honest for me or for Pedro or for the rest of the crew that worked so hard."

Martinez took the same approach to preparing for the gay aspect of the role. Intent on appearing natural the minute the cameras started rolling, the actor admits, that, "I fooled around, acting like a queen, acting gay outside the movie, playing around, playing the part."

The actor says one particular scene presented him with his biggest challenge. On the face of it, the sequence sounds simple enough as Martinez merely had to sit still and subtly react as another character shares with Enrique life-altering information. But that stillness gave him fits.

"All that time when I'm sitting, listening to him, it was difficult, because one thing I like to see in other actors, one thing that I really admire, is when the actor expresses something without moving a muscle in the face,” he explains. “That was what was required of me in that scene, and I was scared I wouldn't be able to [do it]."

The completed film astounds him. He is not sure how long he sat in stunned silence the first time he saw it, but he remembers Lola Garcia, Almodovar's assistant asking him if he liked it. Oh yes, he exclaims. "I was amazed, completely amazed, in shock,” he says. “The film was coming out from the screen in all different directions. It was amazing and I was so, so, so happy."

Having risen to every challenge Almodovar and Bad Education put before him, Martinez says the experience remains transforming. "Enrique is the fullest, most mature character I've ever done,” he insists. “Now I feel that I can do anything. I feel so confident. I grew up with this movie." Martinez recently played the Woody Allen role in Play It Again, Sam on stage, which temporarily satisfied his comic desires, but he yearns to do more. On film, he has always been a dramatic actor, which surprises him.

"I always saw myself as a comedian, but I don't know,” he says. “Nobody calls me to make a comedy. I thought, 'What is happening to me?' I need to make that comedy," he pleads only half-jokingly, adding for emphasis, "I. Want. To. Make. A. Comedy. Please!"

Ebullient and humorous, Martinez certainly has the makings of a fine comic actor, so he will probably get his wish. And while Bernal was the one soaking up ink as one of filmdom's current It boys, it was Martinez who received an Audience Award nomination for Best Actor at the 2004 European Film Awards.

群组招募管理员

ivan — Mon, 02 Oct 2006 09:53:02 GMT

课业需要~本人不能经常上网照顾此地~~

现面向全体看到该内容的网友招募本群组管理员~

无具体条件限制~~

请有兴应聘的网友在此留言~谢谢~ ：）

开学了~郁闷了~不能经常来了~大家照顾好我亲爱的Fele哟~

ivan — Sun, 24 Sep 2006 09:02:28 GMT

大概就是这样~开学了~郁闷很~

房里3个村妇~首次感觉到在自己的卧房里还有别人~非常极度的不爽！~~

又臭又丑的村姑~郁闷死了~不是我鄙视人家~曾经不是这样的~

2星期用光半瓶空气清新剂~

不说了~~小抱怨一下~~马上要回学校了~~

上学时不能常来上网~~现在忙很~~

不在的时候~~拜托大家帮我照顾好亲爱的Fele~~

我会很感谢大家的~~谢谢了！！~~~~

最后对Fele：Te Amo, siempre.

Adios++

群组照片太大了

vivi — Sun, 27 Aug 2006 06:31:57 GMT

页面变形了，创始人你没看见吗

La Mala Educacíon(2004).

ivan — Fri, 25 Aug 2006 19:41:10 GMT

Fele作品La Mala Educacíon(2004)<不良教育>. 这时的Fele大约是29岁. 这是本人最喜欢的电影, 这时本人最爱的Alomodovar遭遇本人最爱的Fele演绎本人最爱的题材, 可以说该片从情节到内容到画面到摄影到表演到配乐本人没有一样不迷恋的. 按照导演阿尔莫多瓦的要求, Fele于该片拍摄前做个很多准备工作和调整, 在该片中, Fele可以说完成了一次大程度的转型, 更多的浓化了Fele式的神经质气质, 这种魅力发挥的更加性感, 更增添了一种中性的美感. 选择的这张照片具有一定代表性, 同样是本人最爱表情之一, 我是从这里发现Fele独特美感的.

Fele. Darkness(2002).

ivan — Fri, 25 Aug 2006 19:28:18 GMT

值得一提的小插曲, 这也是一部恐怖片. Fele的作品中恐怖片或带有恐怖元素的电影占了比较大的比重, 而Fele本人其实是更加钟爱喜剧片的, 在完成<不良教育>后尤其的想, 可惜到目前为止我们没有看到过半部Fele喜剧, 呵呵.

Los Amantes del Círculo Polar.

ivan — Fri, 25 Aug 2006 19:22:12 GMT

Fele作品Los Amantes del Círculo Polar(1998)<北极圈恋人>, 这时Fele大约是22岁. 这是本人很喜欢的一张照片, 这种带着神经质的表情是Fele独到的魅力.

Fele. Tesis(1996).

ivan — Fri, 25 Aug 2006 19:16:36 GMT

Fele的银幕处女作和获奖作品Tesis(1996)<死亡论文> 。拍摄该片是Fele只有20岁. 于马德里皇家戏剧学院毕业后, Fele一直专注于舞台剧演出, 该片是Fele第一次站在摄影机前表演, 他自己曾说舞台和电影的表演对他来说是完全不同的, 因为在舞台上, 你可以直接看到、感觉到观众的存在, 可以从他们的表情中知道自己在做什么, 做的怎么样, 这些他习惯者的东西在电影拍摄中是没有的. 初登银幕, 表现不俗, Fele凭借该片获得1997年Goya最佳演员奖.