60s FoRevER

國際海報雙年展

路过蜻蜓 — Thu, 05 Nov 2009 10:58:00 GMT

西湖音樂節把俺折騰的夠嗆，连日来心头萦绕着那些挥之不去的人或事，却始终不情愿将之一一记录备案，说到底终究太私心。

周末兩日，碰巧隔壁中國美院有举办“第四届中国国际海报双年展”。由于时间关系，只得浮光掠影，匆匆一覽。

“溝通”

“融洽”

- photos by 路過蜻蜓。

Half a Man

路过蜻蜓 — Sat, 17 Oct 2009 17:30:00 GMT

Un uomo a metà（半個男人）,1966

下載>>

就結構形式而言,會讓我想起[去年在马里昂巴德].

甚至還帶著安東尼奧尼式的孤獨與疏離,這從畫面質感便可窺探一二.

Stridura

路过蜻蜓 — Tue, 13 Oct 2009 05:53:00 GMT

Pierre Clémenti in Ange Leccia’s short film “Stridura”。

煲劇日程

路过蜻蜓 — Sat, 10 Oct 2009 07:41:00 GMT

不毛地帶

日本富士臺

首播：2009-10-15

看點：

山崎豊子+唐泽寿明繼[白色巨塔]之后二度攜手.唐泽寿明+"東京灰姑娘"和久井映见再續前緣."Boss二人團"天海佑希+竹野内豊年度再聚首

必追!!!

富貴門

香港三色臺

首播：2009-10-19

看點：羅嘉良！家族戲！羅嘉良！家族戲!

必追!!!

宮心計

香港三色臺

首播：2009-10-19

看點：后宮女人戲. 楊怡奸角爭女主. 強大的師奶兵團.

觀望!!!

Vintage Fashion

路过蜻蜓 — Thu, 08 Oct 2009 06:42:00 GMT

Photographed by Gordon Parks

曖昧至死

路过蜻蜓 — Wed, 07 Oct 2009 03:52:00 GMT

La vittima designata。1971

非正統Giallo，吸血鬼裝束，氣氛營造，曖昧過招

Tomas Milian & Pierre Clémenti

有史以來最具曖昧情愫的影片(之一)

The GoodTimesKid

路过蜻蜓 — Wed, 30 Sep 2009 14:00:00 GMT

dvd cover ↑

俏皮有愛的封面能否俘虜你的芳心?

cast credits ↓

Azazel Jacobs（導演）

Gerardo Naranjo（導演同學，墨西哥導演）

Sara Diaz（導演女友）

船內一角 ↑

超級怪怪男（Gerardo Naranjo），一頭凌亂爆炸發型，終日面無表情，沉默寡言。

唯與帆船為伴，獨居于此。木制板塊門上寫有Fuck You暗紅字樣，鏡頭順移至下，依次顯現I Hate You → Call me → I Miss You。顯然導演是想提醒觀眾，怪蜀黍不孤單，怪蜀黍也有愛，當然這是后話。影片處處留有小心思小驚喜，但凡種種已然成為獨立制作制勝的必殺技法。

無獨有偶，怪怪男與頹廢男（Azazel Jacobs）同姓又同名。

怪怪男收錯另一方征兵確認信函，由此相互照面，繼而闖入匡威女（Sara Diaz）的生活世界。

頹廢男擁有新聞學碩士學位，酷愛搖滾樂，自備鼓架。立字聲明不許外人觸碰唱片架。

對女友冷言冷面，或說對一切失去信心。生日當天棄女友而去，只為應征從軍。

匡威女身材樣貌俱佳，特立獨行有性格，向往自由無拘束的生活。

然面臨愛情也只能敗下陣，怪怪男欲給予安慰鼓勁。

連裙、黑絲襪、匡威……跳一支舞，換一種情緒。

酒吧來電稱其男友醉酒鬧事，匡威女聞聲奪門而去，怪怪男尾隨其后。

以下四幅截圖是不是覺得似曾相識? 是不是很新浪潮呢?

匡威女的服飾造型，追逐奔跑……是不是有那么點兒特呂弗/戈達爾御用繆斯的風采呢

電車過后，海灘嬉水，二人濕身，打道回船。

間隙有女來訪，怪怪男熄燈不表回應。

話語間，觀眾揣測得出此女乃Fuck You制造者，怪怪男的愛慕者，或曰女友大人。

船外女生唱单簧，船內男女扮鬼臉，甚是有趣。 ↓

匡威女傾訴心聲，怪怪男照例Deadpan。這一段好來感覺，我愛怪怪男&匡威女。

咖啡館。

二人對座，點煙，薯條咖啡，眼神不時游離、對視，沉默不語。

電視演着情愛戲碼，好似二人的傳聲筒。

這一幕很賈木許。 ↓

晨曦，黃昏，暗夜，墻壁立體畫……沿途風景。

如果你也像我一樣愛著Matti Pellonpää

那么請別猶豫，只需花費你77分鐘的The GoodTimesKid。

因為Gerardo Naranjo ↓就是Matti Pellonpää再世。

殘缺的唱片尚可以轉盤聆聽，那么無愛的生活也可以化腐朽為神奇。

Pierre Clementi pRoJect

路过蜻蜓 — Mon, 28 Sep 2009 11:27:00 GMT

Pierre Clementi （1942-1999）

▲中文资料整理iNG，待扩充。

此貼立志打造為一代前衛俊男藝術家Pierre Clementi中文世界首席咨詢站.

No Wave

路过蜻蜓 — Sun, 27 Sep 2009 13:26:00 GMT

紐約無浪潮電影運動(1976-1985)代表人物

Amos Poe

以下四部權作鄙人入門之選

劇照讓人望眼欲穿

很新浪潮的無浪潮

Unmade Beds 。1976

The Blank Generation 。1976

The Foreigner 。1978

Triple Bogey on a Par Five Hole 。1991

Frogs for Snakes 。1998

延伸閱讀：

Amos Poe官方站點

纽约无浪潮电影（1976-1985）

纽约无浪潮电影（ New Cinema）

藍色。圣塞巴斯蒂安

路过蜻蜓 — Sat, 26 Sep 2009 15:11:00 GMT

圣塞巴斯蒂安影節又一年，去年有過關注。

驚覺與其有著非一般情緣。再次關注全因著賈木許，但今次法國軍團同樣不容小覷。

夜色下的主電影宮。如此這般色系搭配隨處可見，非常符合个人审美取向。

錯過了戛納，威尼斯……我們還有圣塞巴斯蒂安。

墨鏡先生，你好。

“控制的極限”參展不參賽，又非全球首映。到場陣容可以預見。

誰比誰更明星？視覺系請自動忽略右側黑人男主。

奧宗攜新片Le refuge角逐金貝殼獎，據說已敲定一項特別獎。

继“天使”，“瑞奇”之后，奥宗尝试回归。

高產俱樂部會員Christophe Honore繼續保持一年一部記錄。

新片Making Plans for Lena由小馬哥德納芙之女Chiara領銜，已在法率先公映。

沒錯，正是Ian爵士。Sir Ian獲頒影節終身成就獎。

去年獲此殊榮的是班德拉斯和斯特里普。

影節最后一日，Naomi新片Mother and Child主創人員亮相圣塞巴斯蒂安。

這一身，很職業很氣質。

澳大利亞姑娘，就是不一般。

竖状图片sHow

本屆影節競賽單元評審之一

個人心水的西班牙女星Pilar López de Ayala

去年參與的法國制作“嬰兒之戀”，以短發lOOK出鏡，與Lambert Wilson演對手。

角色相當討喜，小推一下。

曝光率方面，導演永遠比不過演員。

所以丫的，給我住嘴。

部分，整體。

Soleil

路过蜻蜓 — Fri, 25 Sep 2009 06:21:00 GMT

Soleil ，1988

一九七一年七月，Pierre Clementi人生的转折。

某日清晨，意大利警方闖入Pierre羅馬住所，以嗑藥罪名將其捕獲。

其后由于證據不够充分，歷經18個月牢獄之災后,終獲釋放.

影（短）片Soleil，是Pierre作為導演的最后一筒.

15分鐘篇幅，重演著被捕噩夢，然思索甚于一切。

借以迷幻影像、詩意念白，冥想人生、追溯真實自我。

The Reflecting Skin

路过蜻蜓 — Mon, 21 Sep 2009 17:08:00 GMT

The Reflecting Skin 。1990

延伸閱讀：

荒原中的兒童：《The Reflecting Skin（魔鬼與我同行）》(1990)

深水

路过蜻蜓 — Mon, 21 Sep 2009 09:58:00 GMT

Eaux profondes 。1981

俾心机学嘢

路过蜻蜓 — Sun, 20 Sep 2009 15:07:00 GMT

我嘅粵語水平一直處于“識聽唔識講”階段。究其原因，無非是身邊冇一個懂得識講廣東話嘅朋友。好采最近認識咗徐生呢個朋友，徐生系廣東客家人，唔但止識講廣東話，仲會一口流利嘅英語添，社會閱歷又俾我豐富甘多，真系唔佩服都唔得。我有基礎在先，聽基本冇問題，所以我哋之間嘅對話采用“佢粵語，我普通”，當然系為培養我嘅語感啦。我知仲有好長一段路要行，但今次我一定俾心机学嘢。總有一日，我嘅廣東話都會幾巴貝噶。

happy birthday，Mr.Jeremy

路过蜻蜓 — Sat, 19 Sep 2009 12:03:00 GMT

再忙再累再無情再自私再窩囊再冷血再浮夸再憋屈再廢柴

都不敢遺忘這一天

Jeremy

永遠的Jeremy

生辰快樂

身體安康

玛格南。名人圖集

路过蜻蜓 — Fri, 18 Sep 2009 11:23:00 GMT

David Seymour ITALY. 1952. Swedish actress Ingrid BERGMAN.

Philippe HalsmanUSA. New York City. 1950. Halsman's studio. American actor Marlon BRANDO.

Eve Arnold G.B. ENGLAND. Marlon Brandon during the filming of A Countess from Hong Kong. 1966.

W. Eugene Smith American actor and director Orson WELLES.

Nicolas Tikhomiroff SPAIN. 1964. Filming of the movie "Chimes at Midnight", directed by Orson WELLES (US).

Philippe HalsmanUSA. 1948. American actress Elizabeth TAYLOR poses for the magazine "Life."

Burt Glinn SPAIN. Sagaro. 1959. Twenty-five-year-old Elizabeth TAYLOR on the set of "Suddenly Last Summer", in which she co-stars with Katharine Hepburn and Montgomery Clift

Bob Henriques USA. American actress Katharine HEPBURN with American film maker Sidney LUMET. 1961.

Dennis Stock USA. 1961. Katherine HEPBURN on the set of "Long Days Journey into Night".

Bob Henriques USA. New York City. 1961. Katherine HEPBURN on the set of "Long Days Journey Into Night", by Sidney LUMET.

Inge Morath © The Inge Morath Foundation MEXICO. Durango. 1959. Audrey HEPBURN during the production of the film "The Unforgiven."

Philippe Halsman 1954. Actress Audrey HEPBURN during the theatre production of "Ondine" by Jean Giraudoux.

Philippe Halsman ITALY. La Vigna. Dutch actress Audrey HEPBURN posing for a LIFE Magazine cover image. 1955.

Dennis Stock USA. New York. Long Island. 1954. Film: "Sabrina", Billy WILDER (USA) director. Audrey HEPBURN during the filming.

Raymond Depardon MEXICO. State of Durango. John WAYNE, US actor, on a Western movie set.

Raymond Depardon USA. California. Los Angeles. Filming of a wester movie. US actor Rod TAYLOR.

Gueorgui Pinkhassov Cannes Film Fest.1994. President of the Jury 94, Clint EASTWOOD.

Dennis Stock USA. 1969. Gregory PECK with director John FRANKENHEIMER on the set of "I Walk the Line."

Inge Morath © The Inge Morath Foundation SWITZERLAND. Lake Geneva. 1959. Movie actor Yul BRYNNER on vacation.

David Seymour FRANCE. 1952. American actor Kirk DOUGLAS during the making of "The Act of Love".

Philippe Halsman USA. 1951. Dean MARTIN and Jerry LEWIS.

Eve Arnold USA. Nevada. Reno. US actress Marilyn MONROE during the filming of "The Misfits" by John HUSTON. 1960.

Cornell Capa USA. Nevada. US actors Clark GABLE and Marilyn MONROE on the set of "The Misfits". 1960.

Eve Arnold USA. Nevada. FILM: The Misfits. Clark Gable during filming of 'The Misfits'. 1960.

Eve Arnold USA. Nevada. US actress Marilyn MONROE and Clark GABLE on the set of 'The Misfits.' 1960.

Inge Morath © The Inge Morath Foundation NEVADA. Reno. 1960. Clark GABLE "The Misfits" movie shoot.

Eve Arnold USA. Nevada. Marilyn Monroe on the set of John Huston's The
Misfits. 1960.

Erich Hartmann USA. Hollywood, California. 1960. Director John HUSTON during the filming of "The Misfits."

Bruce Davidson USA. New York City. 1963. Film director Roman POLANSKI at a pier on the Hudson River.

Philippe Halsman Sharon TATE (USA), actrice.

Dennis Stock USA. 1955. James DEAN rehearses for a television drama.

Dennis Stock USA. New York City. 1955. James DEAN loved to play the bongo drums, and have jam sessions with friends.

Dennis Stock USA. California. Hollywood. 1955. James DEAN's knife fight in "Rebel Without A Cause", directed by Nicholas RAY.

Dennis Stock USA. Indiana. Fairmount. 1955. James DEAN returned to his old hometown Fairmount (Indiana) and visited the cemetery where he found the grave of one of his ancestors that had the same name as him and of that of Cal whose role he played.

Dennis Stock USA. Indiana. Fairmount. 1955. James DEAN on the farm of his uncle Marcus Winslow, where Jimmy spent his youth.

Gueorgui Pinkhassov Paris. Shooting of the film "Pret à porter", by Robert ALTMAN. American director Robert ALTMAN.

Eli Reed USA. Missouri. Kansas City. 1995.Jennifer Jason LEIGH during the filming of "Kansas City"

Ferdinando Scianna USA, New York: Movie "Single White Female" with Bridget FONDA and Jennifer JASON LEIGH

Bruce Davidson USA. New York City. 2001. Kevin BACON relaxing in Central Park.

Eli Reed USA. New Jersey. 2001. Russel CROWE on the set of the film "A Beautiful Mind".

Peter Marlow G.B. England. London. Kevin Spacey. 1999.

Eli Reed USA. NYC. 1994. Spike Lee, actors Harvey Keitel and Mekhi Phifer sitting on a bench on set of "clockers".

Josef KoudelkaBOSNIA-HERZEGOVINA. Mostar. December 1994. Actors Harvey KEITEL and Gian Maria VOLONTE during the shooting of the film 'Ulysse's Gaze', directed by Theo ANGELOPOULOS.

Josef Koudelka FEDERAL REPUBLIC OF YUGOSLAVIA. Serbia. Belgrade. 1994. Shooting of the film 'Ulysse's Gaze', directed by Theo ANGELOPOULOS. The American actor Harvey KEITEL and Theo ANGELOPOULOS.

Gueorgui PinkhassovGREECE. Crete island. 1995. Theo ANGELOPOULOS (GRC), film maker. Theo ANGELOPOULOS, Greek film director, with family on holiday at Heraklion, Crete, Greece.

Raghu Rai INDIA. Calcutta. Indian film director Satyajit RAY. 1984.

Gueorgui PinkhassovSOVIET UNION. Russia. Moscow. 1979. Andrei TARKOVSKY, Russian film director.

Lise SarfatiRussian movie director Alexander SOKHUROV. In 1999 he directed "Moloch", a much discussed fiction movie about the intimate moments of HITLER and Eva BRAUN's life. He previously directed "The Second Circle", "Mother and Son".

Marc Riboud CHINA. Chinese actress GONG LI during the filming of "To Live" by ZHANG YIMOU with GE YOU, GONG LI. November 1993.

Ferdinando Scianna ITALY, Sicily: Fashion story with Monica BELLUCCI. ©Ferdinando Scianna/Magnum Photos

Rene BurriParis 20 Jan.94, Hotel Lancaster. meeting between the French actress Isabelle HUPPERT and Spanish producer Pedro ALMODOVAR, to discuss European cinematographic problems in light of the GATT (Gen.Agreement on Trade and Tariffs) related to the cinematographic world. Pedro ALMODOVAR.

Susan MeiselasUSA. Park City, Utah. 1997. Director David LYNCH and actress Patricia ARQUETTE from the film "Lost Highway" at the Sundance Film Festival.

Philippe Halsman USA. The American actress Tippi HEDREN at the time of the filming of "The Birds" by Alfred HITCHCOCK. 1962.

Philippe Halsman USA. Tippi HEDREN, main actress in the movie "The Birds". In the background: British film director Alfred HITCHCOCK. 1962.

Raymond Depardon Catherine DENEUVE.

Philippe Halsman USA. California. French film director Francois TRUFFAUT (right) and British film director Alfred HITCHCOCK (left). 1962.

Philippe Halsman French film director Francois TRUFFAUT (right) and British film director Alfred HITCHCOCK (left).

Philippe Halsman The Austrian actor Oskar WERNER at the time of the filming of the movie "Fahrenheit 451", directed by Francois TRUFFAUT. 1966.

Raymond Depardon Francois TRUFFAUT et Jean-Pierre LEAUD.

Bruno Barbey The French actor Jean-Pierre LEAUD during the filming of "Made in USA" by Jean-Luc GODARD. 1966.

Raymond Depardon French film director Jean-Luc GODARD and US actress Jean SEBERG. 1960.

Raymond Depardon Jean-Paul BELMONDO.

Ferdinando Scianna American actress, Jean SEBERG.

Raymond Depardon The French actress Brigitte BARDOT & the Italian actor Marcello MASTRIOANNI on the set of the film "Vie privée" directed by Louis MALLE.

Nicolas Tikhomiroff ITALY. Rome. Movie industry. Federico FELLINI, Italian film-maker, shooting "Boccacio 70" (Boccace 70). Cinecitta. 1961.

Jean Gaumy The film's leading actor, Klaus KINSKI, during the shooting of a scene.

Jean Gaumy FRANCE. Paris. Romy SCHNEIDER and Klaus KINSKI during the shooting of "L'important c'est d'aimer" by Andrzej ZULAWSKI. 1974.

Jean Gaumy The film's leading actress, Romy SCHNEIDER (AT, 1938-82). L'actrice principale du film, Romy SCHNEIDER (AT, 1938-82).

Nicolas Tikhomiroff A. DELON et R. SCHNEIDER Le 12 mars 1959.

Raymond Depardon Au centre: Alain DELON. A gauche: Mireille DARC.

George Rodger SPAIN. French actor Alain DELON and Italian actress Claudia CARDINALE during a scene from The Centurions (Lost Command). 1965.

Nicolas Tikhomiroff FRANCE. The singers Serge GAINSBOURG and Jane BIRKIN wearing Cerruti creations, at their apartment on Verneuil Street in Paris. 1969.

Raymond Depardon Jacques BREL.

Gueorgui Pinkhassov British actress Tilda SWINTON.

Eve Arnold GB. ENGLAND. Vanessa Redgrave dressing for the part of Ann Boleyn in the film 'A Man for all Seasons'. 1966.

David Hurn UNITED KINGDOM. England. London. 1962. Swiss actress Ursula Andress.

Raymond Depardon Candice BERGEN et Michael CAINE.

Peter Marlow G.B. ENGLAND. London. Portrait of British actor Ralph FIENNES. 1994.

Nicolas Tikhomiroff Tony Perkins during the filming of "Five Miles to Midnight" by Anatole Litvak.

Ian Berry G.B. ENGLAND. London. Actor David Hemmings. 1968.

Bruce Davidson USA. California. 1968. Michelangelo ANTONIONI making his film "Zabriskie Point."

Bruce DavidsonUSA. New York City. 2002. American actor Al Pacino seated in the drawing room at the National Arts Club.

Guy Le QuerrecFRANCE. Cannes. 33rd International Film Festival. The German director Wim WENDERS. 1980.

(Via)

pS.相片附注文字 = 玛格南攝影師信息 + 相片背景信息

圖片，無主題 ③

路过蜻蜓 — Sat, 12 Sep 2009 11:29:00 GMT

The Last Days of Disco

路过蜻蜓 — Wed, 09 Sep 2009 12:42:00 GMT

Whit Stillman’s Top 10

雅痞三部曲導演：Whit Stillman

Explains Whit Stillman, writer and director of The Last Days of Disco: “In trying to come up with a ten best list from the Criterion Collection I thought first of Trouble in Paradise and decided to go online to find the rest. But after only seven pages of Criterion’s online list I already had more than enough for ten ‘bests’—so apologies to Trouble and the films that come after it in the catalog. Those below are not in any order of preference.”

借著標準公司（CC）發行The Last Days of Disco之際，Whit Stillman選取了個人最喜愛的十部CC出品并相應地附注了簡要評論。就像他自己所言，七個頁面就輕松敲定心水清單，然而CC發行的片目何其之多，總覺有失公正。當然透過這十部影片，足以窺探Whit Stillman的選片口味與喜好偏向。比如他鐵定粉希區柯克，興許是親好萊塢遠歐洲的一類影迷……

四百击/1959/François Truffaut/法國

評語：

It seems that any filmmaker’s first film idea is something about the mawkish predicament of a ten- or twelve-year-old child quite a bit like themselves—and usually their careers end with this choice (Sundance and other debut-oriented film festivals their final resting place). Truffaut took this dimmest of subjects and made one of the most radiant films of all time, in glorious black and white.

贵妇失踪记/1938/Alfred Hitchcock/英國

評語：

So well made, so clever, you have to laugh—perhaps the cleverest thriller ever. What I especially love in Hitchcock is the level of social detail: you get an intense feeling for the time, the place, the social structure, and all social forms. The two cricket-buff characters went on to have their own series of films.

不速之客/1973/Perry Henzell/牙買加

評語：

As close as any film I know to folk art—how this film came about, how it could be the way it is, is a mystery and a miracle.

第七封印/1957/Ingmar Bergman/瑞典

評語：

A film that picks the viewer up and changes him forever. The first “art film” I saw, in a college screening, and I haven’t seen it since, perhaps not wanting to tamper with that memory. Memorable also for providing more parody fodder than any other film.

伊芙夫人/1941/Preston Sturges/美國

評語：

Sturges takes a whole assortment of disagreeable elements—cliché rich people, cliché cardsharps, snakes, and slapstick—and makes one of the greatest romantic and funny comedies. The cast one must adore—never better.

曼哈顿的大人物/1958/Mario Monicelli/意大利

評語：

I discovered the film on TV in Spain and still like the Spanish title, Rufufu—signaling it as a travesty of a Rififi-style clever caper. The original Italian title—I soliti ignoti (Persons unknown)— also becomes very good once you’ve seen the film. Just the way the characters eat food in the movie is delightful, and the filming style classic and brilliant—a comedy of great elegance. The only two autographs I’ve collected are Mario Monicelli’s and Diana Ross’s (whose “I’m Coming Out” greatly aided the Last Days of Disco soundtrack).

我的高德弗里/1936/Gregory La Cava/美國

評語：

The first I ever heard from Criterion was a call to work on the commentary track for My Man Godfrey, but there’s still nothing I can say about it. There it is, and there are the magnificent contributions of William Powell and Carole Lombard, director Gregory La Cava, and writers Eric Hatch and Morrie Ryskind.

黑人奥菲尔/1959/Marcel Camus/巴西

評語：

I love films that are great not only in themselves but in the idea of them that stays in memory. But this then can dwarf the actual film, which perhaps it has in the case of Black Orpheus—some aspects now try one’s patience slightly. A few years back a Brazilian film was touted as the realistic and gritty version of the story, by those who knew the actual milieu—another black eye for realism and grit.

美人計/1946/Alfred Hitchcock/美國

評語：

The charms of the other Hitchcocks—I would like to have included The 39 Steps but don’t have the room—to which are added an atmosphere of such intense passionate tension and threatened betrayal, as well as a cast of archetypal beauty.

天上人间/1945/Marcel Carné/法國

評語：

So beautiful and beautifully evocative—a film that allows space for imagination—but my gosh it’s long.

Malpertuis

路过蜻蜓 — Tue, 08 Sep 2009 14:23:00 GMT

比利時Cult導演Harry Kümel（上圖）最為影迷熟知的影片大概要屬七零年的「Daughters of darkness/暗夜之女」和七一年的「Malpertuis/毁灭之屋传奇」這兩部跨國制造。其中「Malpertuis」入選了七二年戛納影展主競賽單元，令人無奈的是介于發行方面的利弊考量，戛納最終放映的是重新剪輯過后的縮水Mini版。大眾媒體反響出奇的一致，稱其為普通二流Horror Movie。

而真正的足版-導演剪輯版本，則完全平反了戛納影展上的無禮待遇，是一部絕對配得上杰作頭銜的經典巨制。

「Malpertuis」改編自比利時作家Jean Ray的同名小說，片中Malpertuis，是一棟超級豪華的古老城堡。堡內駐扎著各色人等，有專橫傲慢的城堡堡主Cassavius（Orson Welles）、自然也有卑躬屈膝的貼身奴婢；有秉性怪異的標本采集狂、也有終日腳銬伺候的犯人甲……

而故事起源，則要從堡主的水手侄兒重返故土的一刻說起……噩夢同樣就此開啟。

ps.觀看此片前請盡量避免不必要的劇透，當然以下內容不影響劇情。

以「愛麗絲夢游仙境」漫畫片段引出片頭，加之Alice聲聲念白。

昭示著一場不可預知的冒險之旅。

男主角，水手侄兒Jan（Mathieu Carrière）步入空曠而神秘的家鄉故土。

鬼魅氣息撲面而來。

經一場貓鼠游戲，酒吧斗毆之后的某個清晨，此時的Jan已身處Malpertuis。

堡主Cassavius起居室全景，紅色典雅。

Cassavius拉動響鈴示意仆人晚餐伺候，Orson Welles演來十足霸氣。

迷霧重重，謎團重重，莊園百里之內深不可測。

Jan著手解謎之旅，千奇百怪之事接踵而至。

木質扶梯、螺旋石階，深不見底。

細節

女一號Susan Hampshire分飾四角，演技不容小覷。

Euryale是其中最為關鍵的一角，有關城堡的一切，由她全權揭秘。

哥特妝容是為劇情需要所設，氣質神韻頗具古希臘神話中的女神范。

Mathieu Carrière飾演的男主角jaN，猶如一尊完美雕塑，美到無以復加。

德國出身的他，16歲時便以男一號的身份驚艷于施隆多夫的處女作青年特尔勒斯，而后由于移居法國研究哲學同時兼顧表演本職，自然又受到法國本土導演關注，參演片目不在少數。如今儼然是爺爺輩人物，卻依然活躍于當代影壇。但似乎在貴國的普及度還真不是一般的低。

「最后的晚餐」式格局，導向激動人心的高潮一刻。不，生命不息，高潮不止。

特寫，大特寫。

收尾呼應，「愛麗絲夢游仙境」作者箴言結語。

「Daughters of darkness/暗夜之女」

One of the best （lesbian）vampire movies I'v ever seen 。

二選一推薦，也許我會首推這部。到不是推崇吸血鬼題材，而是本片的綜合水準超乎想像的贊。首先是氣氛營造一級棒，緩慢的很有層次感，搭以迷離朦朧感的配樂，正。

其次是Delphine Seyrig無與倫比的演技支撐，由于全片采用英語攝制，主要演員均以真聲對戲。如此一來，口音難免交雜著本土氣息，但不可否認，Delphine的英語發音性感到爆，簡直勾魂攝魄。再次是片中四位主角的厲害關系。八個字 — 層層誘惑，步步為營。

大市民

路过蜻蜓 — Tue, 25 Aug 2009 15:30:00 GMT

大市民 Metropolitan（Whit Stillman，1990）

侯麥式的中產階級知識青年大聚會.

Whit Stillman,絕對的相見恨晚.靈氣十足的處女作.

所幸是位低產導演,九零年至今只不過區區三部作品問世.功課易補.

湊巧標準公司最新發行了導演于九八年執導的雅痞三部曲終篇[最后的迪斯可].

手繪式的封面一脈相承,淡雅樸素的很.

大市民攝制期間的一篇導演英文訪談,頗多幕后,推薦.

Shall we dance

對簡奧斯丁say No. 雙方各抒己見,不分伯仲.

Audrey,U're so charming!!!

大愛這位小姑娘,氣質不凡,清新可人(分明就是Miranda July孪生姐妹嘛).

可見導演也是位了不起的星探.只可惜人家早已息影,轉行做大律師(?)啦.

下一站,曲終人散.

酷似Daniel Brühl的小男主.

真心話大冒險

特殊清晨.焦慮一刻.

重逢. 駐足. 相談甚歡.

60s FoRevER

國際海報雙年展

Half a Man

Stridura

煲劇日程

Vintage Fashion

曖昧至死

The GoodTimesKid

Pierre Clementi pRoJect

No Wave

藍色。圣塞巴斯蒂安

Soleil

The Reflecting Skin

深 水

俾心机学嘢

happy birthday，Mr.Jeremy

玛格南。名人圖集

圖片，無主題 ③

The Last Days of Disco

Malpertuis

大 市 民

深水

大市民