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伯爵的密室

Truth is a Pathless Land

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你现在的位置:时光网>>博客>>伯爵的博客>>日志>>被大师淹没的大师——Kenny Dorham
日志

被大师淹没的大师——Kenny Dorham

伯爵 发布于:2009-09-20 18:12

 

McKinley Howard (Kenny) Dorham

(August 30, 1924 - December 5, 1972)

 

Biography

 

Dorham was one of the most active bebop trumpeters. He played in the big bands of Billy Eckstine, Dizzy Gillespie, Lionel Hampton and Mercer Ellington and the quintet of Charlie Parker. He was a charter member of the original cooperative Jazz Messengers. He also recorded as a sideman with Thelonious Monk and Sonny Rollins, and he replaced Clifford Brown in the Max Roach Quintet after Brown's death in 1956. In addition to sideman work, he led his own groups, including the Jazz Prophets (formed shortly after Art Blakey took over the Jazz Messengers name). The Jazz Prophets, featuring a young Bobby Timmons on piano, bassist Sam Jones and tenorman J. R. Monterose with guest Kenny Burrell on guitar, recorded a live album Round About Midnight at the Cafe Bohemia in 1956 for Blue Note.

In 1963 Dorham added the 26-year-old tenor saxophonist Joe Henderson to his group, which later recorded Una Mas (the group also featured a young Tony Williams). The friendship between the two musicians led to a number of other albums, such as Henderson's Page One, Our Thing and In'n'Out. Dorham recorded frequently throughout the sixties for Blue Note and Prestige Records, as leader and as sideman for Henderson, Jackie McLean, Cedar Walton, Andrew Hill, Milt Jackson and others.

Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention from the jazz establishment that many of his peers did. For this reason, his name has become (in the words of writer Gary Giddins) "virtually synonymous with 'underrated.'"

During his final years Dorham suffered from kidney disease, from which he died on December 5 1972, aged just 48.

He composed the jazz standard "Blue Bossa," which appears on Joe Henderson's album Page One.

 

 

As leader

  • 1953: Kenny Dorham Quinte Debut
  • 1955: Afro-Cuban (Blue Note)
  • 1956: 'Round About Midnight At The Cafe Bohemia
  • 1957: Jazz Contrast (with Sonny Rollins)
  • 1957: 2 Horns/2 Rhythm
  • 1958: This is the Moment!
  • 1959: Blue Spring (with Cannonball Adderley)
  • 1959: Quiet Kenny
  • 1960: The Arrival of Kenny Dorham
  • 1960: Jazz Contemporary
  • 1960: Showboat
  • 1960: The Art of the Ballad
  • 1961: Osmosis
  • 1961: Whistle Stop (Blue Note)
  • 1963: One More Time (Una Más) (Blue Note)
  • 1964: Trompeta Toccata (Blue Note)
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2009-10-10 22:15

印象里最深的就是深夜在你那看DIZZY的吹奏视频,也深深被大师独创的吹奏方式所震撼,在你详细的进行介绍后,才发现一头扎进爵士钢琴的我忽视了另一样同等重要乐器的爵士进程和历史,说来真的非常惭愧,现在家里条件都具备了是时候多听些东西了.

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